When I first heard Gobby's new album, 'i guess bro', I was immediately intrigued by the unique and somewhat enigmatic nature of his music. It's an album that, on the surface, might seem like a one-note joke, but as you delve deeper, it reveals a complex and fascinating world.
Gobby, the NYC hermit, has carved out a niche for himself in the music industry. His journey began as a producer for the NYC cool kids, but it's his solo work and beat tapes that truly showcase his artistic vision. 'Wakng Thrst for Seeping Banhee', released in 2014, is a prime example of his genius - a deranged yet masterful blend of zombified funk that somehow slipped under the radar, despite receiving critical acclaim.
The Experimental Edge
What sets Gobby apart is his unwavering commitment to experimentation. He embraces the unknown, trying his hand at anything and everything, and in doing so, creates some of the wildest and most unique rides in underground electronic music. 'i guess bro' is no different; it's an album that challenges conventional norms and invites listeners to embark on a journey of abstraction.
A World of Contrasts
One of the most intriguing aspects of this album is the contrast it presents. The tender Auto-Tune on 'Country Drill' and the listless vocals on 'Party at My House' hint at a post-Drain Gang influence, yet Gobby also explores hard-edged drum maximalism and clipped samples, catering to those with shorter attention spans. It's as if he's creating a musical spectrum, showcasing the full range of human emotion and experience.
The Mind's Eye
Gobby's music is a reflection of his restless mind. The mid-album run of sub-one-minute songs is a perfect example of this. It's like a psychedelic journey through Abbey Road, with each song a unique and surreal experience. 'Epiffany', with its bouquet of diva-moan samples, creates an intense and sultry atmosphere, while 'Siri' seems to mock the artificial intelligence that powers it, highlighting the absurdity of our technological world.
A Playful and Disturbing Palette
The production choices on this album are bold and thought-provoking. The reverb is dull and clunky, almost like a deliberate choice to disrupt the listener's expectations. The orchestral palette is crude, yet effective, and the vocal processing adds an element of unease and disturbance, particularly on 'Decline Recline', where the conversation between a church mouse and a haunting force is nothing short of chilling.
A Playful Yet Thoughtful Approach
Gobby's album title and track names are a playful nod to the absurd. Tracks named after Oscar-winning films and Adrien Brody vehicles add a layer of irony and humor. It's as if Gobby is inviting us to question the very nature of art and its consumption, to consider the value of an artist's work in a world where content is often reduced to mere grist for the mill.
Final Thoughts
'i guess bro' is an album that demands your attention and rewards those who dare to explore its depths. It's a testament to Gobby's creative genius and his ability to push the boundaries of music. Personally, I think it's a masterpiece that deserves a place in the canon of experimental electronic music. It's an album that will leave you thinking, questioning, and, most importantly, feeling.
